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I Am Death

ebook
1 of 1 copy available
1 of 1 copy available
FROM THE AUTHOR OF THE SUNDAY TIMES NUMBER ONE BESTSELLER THE CALLER
Seven days after being abducted, the body of a twenty-year-old woman is found on a green patch of grass by the Los Angeles International Airport. She has been left with her limbs stretched out and spread apart, placing her in a five-point human star.
The autopsy reveals that she had been murdered in a most terrible way. But the surprises don't end there.
Detective Robert Hunter, who leads LAPD's Special Section, Ultra Violent Unit, is assigned the case. But almost immediately a second body turns up. Hunter knows he has to be quick.
Surrounded by new challenges as every day passes, Detective Hunter finds himself chasing a monster. A predator whose past hides a terrible secret, whose desire to hurt people and thirst for murder can never be quenched - for he is DEATH.
PRAISE FOR CHRIS CARTER
'This is a chilling, compulsive portrait of a psychopath, and proves that Carter is now in the Jeffrey Deaver class' Daily Mail
'Punchy and fast paced' Sunday Mirror
'There's a touch of the Patricia Cornwell about Chris Carter's plotting' Mail on Sunday
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    • Publisher's Weekly

      March 13, 2017
      A surfeit of gratuitous violence mars Carter’s sequel to 2015’s An Evil Mind. Det. Robert Hunter and his partner, Carlos Garcia, who make up the LAPD’s ultraviolent crimes unit, investigate the murder of college student Nicole Wilson, who was abducted from the house where she was babysitting in Laurel Canyon. Wilson was tortured for more than five days before her body was left in a field near L.A. International Airport, a note written in blood saying “I Am Death” stuck down her throat. Soon more victims are tortured, their horrible deaths discussed in lurid detail by the detectives. A parallel story, in which an 11-year-old boy is kidnapped and beaten for years, isn’t much easier to take. References to behavioral psychology and how sociopathy develops add little to the story. A somewhat clever twist at the end can’t salvage the shallow characterizations and banal dialogue. Agent: Darley Anderson, Darley Anderson Literary Agency.

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